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疫情期间,言情小说销量一路飙升

Rachel King
2021-08-24

在一些非常动荡的时期,许多读者都渴望从读书中获得精神上的富足。

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虽然独立书店受新冠疫情影响而关闭,但在几个月之内,书籍的总体销量却一路飙升。一个十分重要的原因是:书籍在疫情期间可以给人带来心灵上的慰藉。

在过去的一年半时间里,最受欢迎和最畅销的小说类型是言情小说。对爱读书的人来说,言情小说确实有独到之处。与疫情期间另一种最畅销的小说类型——推理、惊悚小说相似,言情小说(如果无法预见情节)大都按照一定规律谋篇布局,并使用常见的比喻。总之,以上两种类型的小说都有独一无二、逻辑可靠的结局:谋杀悬疑小说的结尾几乎总是揭露罪犯,(通常)也会流露出些许正义的色彩,而浪漫言情小说的结尾通常是“主人公们从此幸福地生活在一起”。

换句话说,这些可预见的小说成为了文学意义上的精神食粮,在一些非常动荡的时期,许多读者都渴望从读书中获得精神上的富足。

“我认为通过与读者和书商同行的交谈,言情小说的读者在过去一年半中有所增加,因为人们需要逃避现实,需要一个皆大欢喜的结局。这个结局是主角不管遇到多大艰难险阻,他们最后依然是安然无恙,因为他们知道一切困难最终都会解决的。”位于俄勒冈州麦克明维尔的书店Third Street Books的比利•布勒鲍姆说。

位于里士满的书店Fountain Bookstore的老板凯利•贾斯蒂斯指出,言情小说遵循一定规则。她强调说,你可以改变这些规则,但如果你没有一个幸福的结局(或“暂时幸福”的结局),那就不能称其为言情小说。

贾斯蒂斯说:“大量的言情小说涌现以及不同的声音和多样化的表达方式的出现,意味着几乎所有读者都能够在书中看到自己的爱情故事的影子。而且这一趋势还在扩大。老实说,这很有趣!过去两年有什么好玩的?并不多。即使疫情有所改善,谁不想要找点乐子呢?人们来这里尝试一种逃离现实的新方式,并留下来享受美好时光和在社区尽情互动。”

只要粗略地看一下目前《纽约时报》(New York Times)的小说类畅销书排行榜——尤其是平装本小说——你就会发现言情小说铺天盖地地出现在榜单上,从克里斯蒂娜•劳伦的《欢喜冤家的蜜月之行》(The Unhoneymooners)(2019年首次出版,并且将由好莱坞改编成电影,因此销量有所上升)到今夏最热门的电影之一艾米莉•亨利的《假期奇遇》(People We Meet on Vacation)。

根据追踪实体书和电子书销售数据的NPD BookScan的数据显示,截至2021年3月前12个月里,言情小说书的销量达到了4700万本(包括所有纸质书和电子书),比上一年增长了24%。截至2021年3月前12个月里,言情小说占成人小说销量的18%,成为第二受欢迎的小说类型——仅次于普通成人小说——后者在同一时段占成人小说销量的30%。

许多书商——无论是线上书店还是实体书店——都在最大限度地利用浪漫文学流派的吸引力。8月21日,网上书店Bookshop.org与“书店罗曼史”(Bookstore Romance Day)合作,共同举办了这种容易被读者和文学评论家忽略的小说类型的评选活动。至今为止,已经是今年的第三次活动。

“我认为这种千篇一律的幸福结局是导致言情小说不那么受尊重的原因之一。”布勒鲍姆说,他也是“书店罗曼史”活动的创始人。“我希望人们对言情小说的兴趣可以继续保持,人们对这一题材的态度也能够不断改变。”

网上书店Bookshop.org的运营总监纳丁•瓦萨罗告诉《财富》杂志:“言情小说的书迷特别涉猎广泛,并且像他们读的小说一样充满激情。我们喜欢向言情小说的书迷推荐由同样热情的独立书商精心挑选的书。言情小说的读者和书商对整个书业和Bookshop.org社区都是至关重要的。”

今年有超过250家书店报名参加这项数十个著名作家联名参与的虚拟活动。活动的主要内容有策划阅读清单、颁发独家赠品,以及“寻找言情小说新秀”奖项。该奖项由独立书商小组评选出未出版或自行出版的最好的言情小说。

布勒鲍姆说:“今年的‘书店罗曼史’可能是我们创办以来最重要的一个活动。虽然言情小说的读者数量有所增加,但很多独立书店却因为无法吸引顾客来店内参加活动而陷入困境。将这些书店与言情小说的新老读者联动起来,对双方都有好处。不仅可以增加书店的销售额,还能够为读者提供一个轻松在本地购买书籍的便利途径。”(财富中文网)

编译:於欣

虽然独立书店受新冠疫情影响而关闭,但在几个月之内,书籍的总体销量却一路飙升。一个十分重要的原因是:书籍在疫情期间可以给人带来心灵上的慰藉。

在过去的一年半时间里,最受欢迎和最畅销的小说类型是言情小说。对爱读书的人来说,言情小说确实有独到之处。与疫情期间另一种最畅销的小说类型——推理、惊悚小说相似,言情小说(如果无法预见情节)大都按照一定规律谋篇布局,并使用常见的比喻。总之,以上两种类型的小说都有独一无二、逻辑可靠的结局:谋杀悬疑小说的结尾几乎总是揭露罪犯,(通常)也会流露出些许正义的色彩,而浪漫言情小说的结尾通常是“主人公们从此幸福地生活在一起”。

换句话说,这些可预见的小说成为了文学意义上的精神食粮,在一些非常动荡的时期,许多读者都渴望从读书中获得精神上的富足。

“我认为通过与读者和书商同行的交谈,言情小说的读者在过去一年半中有所增加,因为人们需要逃避现实,需要一个皆大欢喜的结局。这个结局是主角不管遇到多大艰难险阻,他们最后依然是安然无恙,因为他们知道一切困难最终都会解决的。”位于俄勒冈州麦克明维尔的书店Third Street Books的比利•布勒鲍姆说。

位于里士满的书店Fountain Bookstore的老板凯利•贾斯蒂斯指出,言情小说遵循一定规则。她强调说,你可以改变这些规则,但如果你没有一个幸福的结局(或“暂时幸福”的结局),那就不能称其为言情小说。

贾斯蒂斯说:“大量的言情小说涌现以及不同的声音和多样化的表达方式的出现,意味着几乎所有读者都能够在书中看到自己的爱情故事的影子。而且这一趋势还在扩大。老实说,这很有趣!过去两年有什么好玩的?并不多。即使疫情有所改善,谁不想要找点乐子呢?人们来这里尝试一种逃离现实的新方式,并留下来享受美好时光和在社区尽情互动。”

只要粗略地看一下目前《纽约时报》(New York Times)的小说类畅销书排行榜——尤其是平装本小说——你就会发现言情小说铺天盖地地出现在榜单上,从克里斯蒂娜•劳伦的《欢喜冤家的蜜月之行》(The Unhoneymooners)(2019年首次出版,并且将由好莱坞改编成电影,因此销量有所上升)到今夏最热门的电影之一艾米莉•亨利的《假期奇遇》(People We Meet on Vacation)。

根据追踪实体书和电子书销售数据的NPD BookScan的数据显示,截至2021年3月前12个月里,言情小说书的销量达到了4700万本(包括所有纸质书和电子书),比上一年增长了24%。截至2021年3月前12个月里,言情小说占成人小说销量的18%,成为第二受欢迎的小说类型——仅次于普通成人小说——后者在同一时段占成人小说销量的30%。

许多书商——无论是线上书店还是实体书店——都在最大限度地利用浪漫文学流派的吸引力。8月21日,网上书店Bookshop.org与“书店罗曼史”(Bookstore Romance Day)合作,共同举办了这种容易被读者和文学评论家忽略的小说类型的评选活动。至今为止,已经是今年的第三次活动。

“我认为这种千篇一律的幸福结局是导致言情小说不那么受尊重的原因之一。”布勒鲍姆说,他也是“书店罗曼史”活动的创始人。“我希望人们对言情小说的兴趣可以继续保持,人们对这一题材的态度也能够不断改变。”

网上书店Bookshop.org的运营总监纳丁•瓦萨罗告诉《财富》杂志:“言情小说的书迷特别涉猎广泛,并且像他们读的小说一样充满激情。我们喜欢向言情小说的书迷推荐由同样热情的独立书商精心挑选的书。言情小说的读者和书商对整个书业和Bookshop.org社区都是至关重要的。”

今年有超过250家书店报名参加这项数十个著名作家联名参与的虚拟活动。活动的主要内容有策划阅读清单、颁发独家赠品,以及“寻找言情小说新秀”奖项。该奖项由独立书商小组评选出未出版或自行出版的最好的言情小说。

布勒鲍姆说:“今年的‘书店罗曼史’可能是我们创办以来最重要的一个活动。虽然言情小说的读者数量有所增加,但很多独立书店却因为无法吸引顾客来店内参加活动而陷入困境。将这些书店与言情小说的新老读者联动起来,对双方都有好处。不仅可以增加书店的销售额,还能够为读者提供一个轻松在本地购买书籍的便利途径。”(财富中文网)

编译:於欣

While independent bookstores are still reeling from the effects of the pandemic shutdowns, book sales overall, however, soared during months of lockdown and thereafter. One of the contributing factors: Books are an incredible source of stress relief.

Among the most popular and bestselling genres over the past year and a half has been romantic fiction. For book lovers, it's not hard to figure out why. Similar to another top-selling fiction genre during the pandemic—mysteries and thrillers—romances follow familiar (if not predictable) structures and employ routine tropes. Both genres also have signature but reliable endings: Murder mysteries almost always reveal the culprit and (oftentimes) dole out a bit of justice, while romances traditionally result in a "happily ever after."

In other words, the predictability of these novels makes for literary comfort food, one that many readers craved in abundance during some very turbulent times.

“From talking to readers and fellow booksellers, I believe that romance has experienced a rise in readership during the last year and a half because people needed escapism and the guarantee of a happy ending, a story where, no matter the obstacles, they could be safe in the knowledge that everything was going to work out in the end," says Billie Bloebaum of Third Street Books in McMinnville, Ore.

Romance has rules, notes Kelly Justice, owner of Fountain Bookstore in Richmond. You can bend those rules, but if you don't have a happy ending (or a "happy for now") it's not a romance, she underscores.

"The sheer massive quantity of romance and the emergence of a wider array of voices and representations has meant that we have a romance where almost any reader can see themselves," Justice says. "And that trend is only expanding. And let's be honest: It's fun! What was fun about the last two years? Not much. Even as (or if) things improve, who doesn't want fun? People came to try a new escape and stayed for the good times and the great community."

Just take a cursory glance at the current lineup on the New York Times’ Best Sellers lists for fiction—especially paperback trade fiction—and you'll see romance novels flooding the lists, from Christina Lauren's The Unhoneymooners (first published in 2019 but has seen an uptick in sales amid news of a Hollywood adaptation) to one of this summer's hottest hits, Emily Henry's People We Meet on Vacation.

Unit sales for romance books topped 47 million in the 12 months ending March 2021 (including print and e-book sales combined), representing an increase of 24% from the previous year, according to NPD BookScan. Romance accounted for 18% of adult fiction unit sales in the 12 months ending March 2021, making it the second most popular fiction genre overall—second only to general adult fiction—which accounted for 30% of adult fiction sales in the same time frame.

A number of booksellers—digital and brick-and-mortar alike—are making the the most of the genre's attraction. On Saturday, Aug. 21, online retailer Bookshop.org is partnering with Bookstore Romance Day, back this year for a third time to celebrate a genre that has often been dismissed by readers and critics.

"I think this very guarantee of a 'happily ever after' is part of what has contributed to romance being less respected. It has been viewed as light or fluffy or frivolous," says Bloebaum, who is also the founder of Bookstore Romance Day. "I hope that the increased interest of the last year continues and that attitudes toward the genre continue to change as well."

"Romance readers are particularly voracious, and as passionate as the novels they read," Nadine Vassallo, director of operations at Bookshop.org, tells Fortune. "We love connecting romance fans with handpicked recommendations from equally ardent indie booksellers. Romance readers and booksellers are essential to the book industry at large and to the Bookshop.org community."

Over 250 bookstores have signed up to participate this year, with dozens of virtual events with famous authors, curated reading lists, exclusive giveaways, and the Discover New Romance Award, which names the best in unpublished and self-published romance, as determined by a panel of independent booksellers.

"This year's Bookstore Romance Day is maybe the most important one since we started," Bloebaum says. "While romance readership has increased, a lot of independent bookstores have struggled due to not being able to have customers in the store or in-person events. Connecting those stores to romance readers both new and old has the potential to benefit both, with increased sales for the stores and a local, friendly option for both purchasing and discovery for readers.”

财富中文网所刊载内容之知识产权为财富媒体知识产权有限公司及/或相关权利人专属所有或持有。未经许可,禁止进行转载、摘编、复制及建立镜像等任何使用。
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