2021年,在加密货币热潮最鼎盛的时期,一支由虚拟猿猴组成的摇滚乐队横空出世。如今,真正的音乐人正在塑造该乐队的乐风。联袂助阵的,是一对炙手可热、与碧昂斯和蕾哈娜合作过的金牌制作人。
詹姆斯·方特勒罗伊和小昌西·霍利斯(也被称为Hit-Boy)已经开始为Kingship乐队制作新专辑。环球音乐集团(Universal Music Group NV)组建该乐队,意在通过出售与艺人相关的虚拟商品和服务来获得收入。聘请乐坛大咖标志着该项目进入了一个新阶段。凭借与布鲁诺·马尔斯和贾斯汀·汀布莱克合作的音乐作品,方特勒罗伊斩获了多项格莱美奖(Grammy);Hit-Boy合作过的歌手同样星光熠熠,其中包括著名说唱歌手Jay-Z和Nas。
“唯有延揽最好的创作者、制作人和词曲作者才有意义。”环球音乐旗下的10:22唱片公司创始人席琳·乔舒亚说。“在我看来,詹姆斯和Hit-Boy是担当此任务的不二人选。”
乔舒亚是Kingship的缔造者。该乐队由4个数字角色组成,而这些数字角色来自一个名为“无聊猿猴游艇俱乐部”(Bored Ape Yacht Club)的非同质化代币(NFT)集合。她为这些猿猴构思了一个持续多年的进阶弧线,其中包括发行专辑和元宇宙表演。如果一切遂意,这支乐队将风靡全球,并证明加密货币和NFT是音乐行业的可行工具。
长期以来,技术乐观主义者一直在宣扬Web3的灿烂前景。Web3是当今互联网的去中心化版本。在那里,艺人可以通过出售NFT作品来筹集专辑制作资金。拜区块链技术所赐,支付变得更加透明。音乐团体能够让他们的粉丝真正成为其音乐事业的利益攸关方。
所有这些都可以让粉丝与他们喜爱的艺人建立更紧密的联系。拥有Kingship乐队NFT作品的人,享有一个Discord服务器的特别访问权。在那里,他们能够彼此交流,或者第一时间获悉该乐队的新资讯。还有一些与未来音乐和演出相关的额外福利。
加密货币崩溃
加密货币和NFT市场的崩溃让这个造星计划变得复杂化。乔舒亚透露称,该计划目前尚处于至少七个阶段中的第二个阶段。
去年11月,在世人对加密货币的乐观情绪接近顶峰之际,环球音乐推出Kingship乐队。2021年,NFT的销售额接近250亿美元;作为NFT市场上备受欢迎的加密货币,以太币(Ether)的价格达到近4,800美元的峰值。这个新的投机市场让无数投资者、收藏家和整个社会为之倾倒。但好景不长,根据CoinMarketCap的数据,以太币的价格今年已经暴跌了55%以上。NFT的销售额目前徘徊在一年来的最低点。
这导致乔舒亚推迟了她为这支乐队销售NFT的计划,并下调了他们首次销售的NFT数量。但她已经重整旗鼓,今年早些时候通过销售5,000件Kingship乐队的NFT作品获得了150万美元的收入。她还与玛氏公司(Mars Inc.)达成协议,推出一款特别版的M&M巧克力豆。
“我们已经见证了市场的波动和以太币的衰落,有太多项目的表现不及预期。”乔舒亚说,“消费者的情绪发生了变化。但我们决定,或者说我决定,我们要有一个发展规划。”
然而,她的满腔热情引起了方特勒罗伊的注意。这位音乐人自称是“技术迷”,第二职业是数字艺术家。在比特币的价格还是9,000美元的时候,他开始收集——现在的交易价格是19,000美元。他还收藏了30多件NFT作品。
“我买了一堆到头来一文不名的东西。”方特勒罗伊说。“但这个社区一打眼就让我萌生了兴趣。它将不可避免地过渡到基于粉丝的互动。”
最初会见方特勒罗伊和Hit-Boy时,乔舒亚播放了传奇摇滚乐队范·海伦的代表作《Jump》,以激发创作灵感。这首1984年发布的歌曲登顶美国Billboard排行榜,并被《滚石》杂志(Rolling Stone)评为有史以来最伟大的200首歌曲之一。
现在,方特勒罗伊和Hit-Boy正在思考他们究竟想要这支乐队呈现怎样的乐风。围绕乐队成员的个性讨论数周后,他们至少已经确定了每位成员的首选乐器。Hud,一只长着激光眼的猿猴,是乐队主唱。Arnell,一只变异猿猴,是DJ兼鼓手。King是贝斯手和主唱。Captain是主吉他手。
“他们是一支带有摇滚个性的摇滚乐队。”方特勒罗伊说,“我们仍然在构思他们究竟将以何种方式表达自己。”(财富中文网)
译者:任文科
2021年,在加密货币热潮最鼎盛的时期,一支由虚拟猿猴组成的摇滚乐队横空出世。如今,真正的音乐人正在塑造该乐队的乐风。联袂助阵的,是一对炙手可热、与碧昂斯和蕾哈娜合作过的金牌制作人。
詹姆斯·方特勒罗伊和小昌西·霍利斯(也被称为Hit-Boy)已经开始为Kingship乐队制作新专辑。环球音乐集团(Universal Music Group NV)组建该乐队,意在通过出售与艺人相关的虚拟商品和服务来获得收入。聘请乐坛大咖标志着该项目进入了一个新阶段。凭借与布鲁诺·马尔斯和贾斯汀·汀布莱克合作的音乐作品,方特勒罗伊斩获了多项格莱美奖(Grammy);Hit-Boy合作过的歌手同样星光熠熠,其中包括著名说唱歌手Jay-Z和Nas。
“唯有延揽最好的创作者、制作人和词曲作者才有意义。”环球音乐旗下的10:22唱片公司创始人席琳·乔舒亚说。“在我看来,詹姆斯和Hit-Boy是担当此任务的不二人选。”
约书亚是Kingship的缔造者。该乐队由4个数字角色组成,而这些数字角色来自一个名为“无聊猿猴游艇俱乐部”(Bored Ape Yacht Club)的非同质化代币(NFT)集合。她为这些猿猴构思了一个持续多年的进阶弧线,其中包括发行专辑和元宇宙表演。如果一切遂意,这支乐队将风靡全球,并证明加密货币和NFT是音乐行业的可行工具。
长期以来,技术乐观主义者一直在宣扬Web3的灿烂前景。Web3是当今互联网的去中心化版本。在那里,艺人可以通过出售NFT作品来筹集专辑制作资金。拜区块链技术所赐,支付变得更加透明。音乐团体能够让他们的粉丝真正成为其音乐事业的利益攸关方。
所有这些都可以让粉丝与他们喜爱的艺人建立更紧密的联系。拥有Kingship乐队NFT作品的人,享有一个Discord服务器的特别访问权。在那里,他们能够彼此交流,或者第一时间获悉该乐队的新资讯。还有一些与未来音乐和演出相关的额外福利。
加密货币崩溃
加密货币和NFT市场的崩溃让这个造星计划变得复杂化。乔舒亚透露称,该计划目前尚处于至少七个阶段中的第二个阶段。
去年11月,在世人对加密货币的乐观情绪接近顶峰之际,环球音乐推出Kingship乐队。2021年,NFT的销售额接近250亿美元;作为NFT市场上备受欢迎的加密货币,以太币(Ether)的价格达到近4,800美元的峰值。这个新的投机市场让无数投资者、收藏家和整个社会为之倾倒。但好景不长,根据CoinMarketCap的数据,以太币的价格今年已经暴跌了55%以上。NFT的销售额目前徘徊在一年来的最低点。
这导致乔舒亚推迟了她为这支乐队销售NFT的计划,并下调了他们首次销售的NFT数量。但她已经重整旗鼓,今年早些时候通过销售5,000件Kingship乐队的NFT作品获得了150万美元的收入。她还与玛氏公司(Mars Inc.)达成协议,推出一款特别版的M&M巧克力豆。
“我们已经见证了市场的波动和以太币的衰落,有太多项目的表现不及预期。”乔舒亚说,“消费者的情绪发生了变化。但我们决定,或者说我决定,我们要有一个发展规划。”
然而,她的满腔热情引起了方特勒罗伊的注意。这位音乐人自称是“技术迷”,第二职业是数字艺术家。在比特币的价格还是9,000美元的时候,他开始收集——现在的交易价格是19,000美元。他还收藏了30多件NFT作品。
“我买了一堆到头来一文不名的东西。”方特勒罗伊说。“但这个社区一打眼就让我萌生了兴趣。它将不可避免地过渡到基于粉丝的互动。”
最初会见方特勒罗伊和Hit-Boy时,乔舒亚播放了传奇摇滚乐队范·海伦的代表作《Jump》,以激发创作灵感。这首1984年发布的歌曲登顶美国Billboard排行榜,并被《滚石》杂志(Rolling Stone)评为有史以来最伟大的200首歌曲之一。
现在,方特勒罗伊和Hit-Boy正在思考他们究竟想要这支乐队呈现怎样的乐风。围绕乐队成员的个性讨论数周后,他们至少已经确定了每位成员的首选乐器。Hud,一只长着激光眼的猿猴,是乐队主唱。Arnell,一只变异猿猴,是DJ兼鼓手。King是贝斯手和主唱。Captain是主吉他手。
“他们是一支带有摇滚个性的摇滚乐队。”方特勒罗伊说,“我们仍然在构思他们究竟将以何种方式表达自己。”(财富中文网)
译者:任文科
A rock band made up of virtual apes, created last year at the height of crypto mania, now has actual musicians putting together its sound—a pair of sought-after producers who have worked with Beyonce and Rihanna.
James Fauntleroy and Chauncey Hollis Jr., better known as Hit-Boy, have begun work on a new album for Kingship, a band Universal Music Group NV formed as part of a bet it can generate revenue from selling virtual goods and services built around acts. The hiring of artistic heavyweights marks a new phase of the project. Fauntleroy has won Grammys for his work with Bruno Mars and Justin Timberlake, while Jay-Z and Nas have collaborated with Hit-Boy.
“It only made sense to bring in the best creators and producers and songwriters,” said Celine Joshua, founder of Universal’s 10:22 record label. “For me, that process led to James and Hit-Boy.”
Joshua is the architect of Kingship, which consists of four digital characters from a collection of nonfungible tokens known called the Bored Ape Yacht Club. She has conceived a multiyear story arc for the apes, including album releases and metaverse performances. If all goes according to plan, they’ll take the world by storm and prove cryptocurrencies and NFTs are viable tools for the music industry.
Techno-optimists have long been outlining the promise of so-called Web3, a decentralized version of today’s internet. There, artists can raise money to fund production of an album by selling NFTs. Payments are more transparent, through the use of blockchain technology, and musical groups can give their fans a literal stake in their business.
All of it allows fans to forge a greater connection with their favorite acts. The people who own NFTs for Kingship get special access to a Discord server where they can talk with one another, or learn new information about the group first. There are also perks associated with future music and performances.
Crypto collapse
A collapse in the market for cryptocurrencies and NFTs has complicated the plan, which Joshua said is now in its second of at least seven phases.
Universal unveiled Kingship last November when optimism about cryptocurrencies was near its peak. NFT sales neared $25 billion in 2021 and the price of Ether (a popular currency for NFTs) peaked at almost $4,800. Investors, collectors and society at large were enamored with the new speculative market. The price of Ether has plummeted more than 55% this year, according to CoinMarketCap. Sales of NFTs are currently around their one-year lows.
That caused Joshua to delay her plans to sell NFTs for the band, and reduce the number of NFTs they first sold. But she has regrouped, generating $1.5 million by selling 5,000 Kingship NFTs earlier this year. She also struck a deal with Mars Inc. for a special edition M&M’s.
“We have seen the fluctuations in the marketplace and the decline of Ether and so many projects not fulfilling promises,” Joshua said. “Consumer sentiment changed. But we decided, or I decided, that we have a development plan.”
Yet her enthusiasm helped attract Fauntleroy, a self-professed nerd who has a second career as a digital artist. He started collecting Bitcoin, now trading at about $19,000, when it went for $9,000. He also has a collection of more than 30 NFTs.
“I bought a bunch of things that ended up not being worth” anything, Fauntleroy said. “But when I saw this community, I was like, ‘Oh.’ This is an inevitable transition to fan-based interaction.”
In an early meeting with Fauntleroy and Hit-Boy, Joshua played Van Halen’s “Jump” as an inspiration for the sound. The 1984 song topped the Billboard charts in the U.S. and was ranked by Rolling Stone as one of the 200 greatest songs of all-time.
Fauntleroy and Hit-Boy are now in the middle of working out how they want this group to sound. After weeks debating the members’ personalities, they’ve at least settled on their instruments of choice. Hud, an ape with laser eyes, is a lead singer. Arnell, a mutated ape, is the DJ/drummer. King is the bassist and vocals, and Captain is on lead guitar.
“They are a rock band with rock ‘n’ roll personalities,” Fauntleroy said. “We are still building out exactly how they’ll express themselves.”